A Rennaissance Frame of Mind: 7 Days in Florence and the Tuscan Countryside

Make time to visit this gallery holding precious art and history from the Gothic era, when Siena's power and influence peaked.

This is the main state art museum of the city and includes a rich collection of masterpieces from the famous Sienese school of artists, which created mainly large, majestic altarpieces with golden decorations. The "gold" background paintings include a piece by Master of Tressa which marks the beginning of the golden age of Sienese painting.

Experience a riot of the senses as you walk into one of Tuscany's most colorful and remarkable cathedrals.

Siena's Duomo is a fabulous conglomeration of Romanesque and Gothic architecture, delineated by encircling bands of black and white marble. It is the earliest of all the great Tuscan cathedrals, having been mostly completed by 1263. Before you enter, take a moment to admire the marble facade and its remarkable statuary. Once inside, you can invest in the audio guide to get the most out of a visit. The standout artistic treasure is the pulpit with columns resting on the backs of alternating lions and lionesses. The Piccolomini Library was added on to the cathedral in 1495 by the future Pope Pius III, and is one of the loveliest rooms in all Italy thanks to its cycle of crystal-sharp, brilliantly colorful frescoes.

Stop and linger in one of the more glorious and satisfying urban spaces ever built.

With its remarkable fan shape and gentle slope, the Piazza del Campo is one of the more memorable and unique public squares in Europe. It has been heart of Siena since the mid-12th century when it was built on the site of a Roman marketplace. Cafes line the square offering coffee and aperitivo for the young and old alike who relax and take in the scene. The piazza is made doubly famous by the fact that it hosts the annual Palio horse race, a hotly-contested event which splits the city into competing factions. 

Make your way into the courtyard of this brick palace built in the 13th century and enter the Museo Civico, where you will marvel at the beautiful murals which adorn the interiors.

Dominating the Piazza del Campo, this 13th century palace and tower was built as a symbol of the independence and wealth of Siena by the Government of Nine (Governo dei Nove) - nine representatives of the people elected by the merchant class, not noble families. Looking at its façade from the Piazza del Campo, it's possible to immediately see its different periods of construction: on the lower level of the three-mullioned (triple-arched) windows the stone that was used and then later brick. The 400 steps to the top of the palace tower is no easy feat even for the fittest of travelers, but the view over the city and Piazza del Campo below make the narrow ascent worth it. Inside the palace courtyard you will find the entrance to the Museo Civico, a treasure trove of magnificent works of art which can be seen inside the palace. One of the most beautiful rooms in the palace is the Sala dei Nove, the Hall of the Nine, with the Allegories of Good and Bad Government by Ambrogio Lorenzetti where you can see the medieval city with its workshops and artisans. 

Stand beneath the magnificent 14th century frescoes, still intensely radiant six centuries after they were first painted.

Dating back to the 13th century, a fire in the 18th century practically destroyed the church, but spared its magnificent Renaissance frescoes in the Brancacci Chapel – a treasure trove of paintings from the 1400's by Masolino da Panicale, Masaccio, and Filippino Lippi. After years of accumulated candle soot and mold, the frescoes which have been fully restored and have an intense radiance, making it possible to see very clearly the shifts in emphasis between the artists' work. The Brancacci Chapel entrance is to the right of the main church entrance. Only 30 people can visit at a time.

Look down upon Florence from amidst the rose bushes.

The Giardino delle Rose (Rose Garden) and the nearby Giardino dell'Iris (Iris Garden) are two free public gardens on either side of Piazzale Michelangelo. They are perfect for flower-lovers or anyone who wants to wander in a peaceful green space, free from the nearby crowds. You'll even find a Japanese garden and sculptures by the artist Folon.

Wander beneath the wisteria whilst gazing down upon the roofs of Florence.

Less crowded than the nearby Boboli Gardens, the Bardini Villa is a splendid Italianate Garden which enjoys panoramic views of the city. Wisteria covered pergola allow visitors to walk through tunnels of green while enjoying romantic views of the city and surroundings. Within the 17th century villa itself, you will find artworks by the painter Pietro Annigoni. 

Create an unforgettable memory and see Florence from above.

No matter what time of day or weather, you will find that Piazzale Michelangelo truly offers a stupendous lookout over Florence. Not just a perfect photo opportunity, but a moment of wonder. You are looking at the city that gave birth to incredible artists, amazing scientists and an enthralling history of discovery and power that has filled novels and movie theaters. Many mistakenly believe that this piazza has existed since the birth of Florence or that it was designed by Michelangelo. Actually, it is a rather recent addition to the list of great monuments in Florence, created in 1869 by Florentine architect Giuseppe Poggi, as part of a major restructuring of the city walls in 1869. In 1873, a copy of Michelangelo's David was taken to the square with the help of nine pairs of oxen. This monument occupies a privileged position, observing the city from above as a guard attentive to all the beauties that the city of Florence offers.

Visit a Renaissance church where Michelango once found refuge.

Usually referred to simply as Santo Spirito, this unassuming basilica is one of the main examples of early Renaissance architecture in Florence. Compared to other churches found on the north side of the river, the Basilica di Santo Spirito is very often ignored by tourists, despite offering some serious history and a wonderful interior. Notable pieces of artwork inside the church include its thirty-eight altars, almost all with painted altarpieces. The best have been cleaned and are almost all in the transept and behind the Baldacchino, this being where the most prestigious local families could afford to have chapels. Michelangelo found refuge in the convent of Santo Spirito in 1492 at the age of seventeen and it was within the walls of the convent that the curious artist had the opportunity to analyze corpses from the adjoining hospital to study the anatomy of the human body. As a form of thank-you, Michelangelo carved a highly realistic wooden crucifix which can now be found within the sacristy to the left as you enter the church.

Stand beneath the magnificent 14th century frescoes, still intensely radiant six centuries after they were first painted.

Dating back to the 13th century, a fire in the 18th century practically destroyed the church, but spared its magnificent Renaissance frescoes in the Brancacci Chapel – a treasure trove of paintings from the 1400's by Masolino da Panicale, Masaccio, and Filippino Lippi. After years of accumulated candle soot and mold, the frescoes which have been fully restored and have an intense radiance, making it possible to see very clearly the shifts in emphasis between the artists' work. The Brancacci Chapel entrance is to the right of the main church entrance. Only 30 people can visit at a time.

Visit one of the oldest university buildings in the world and admire its incredible library.

Bologna's University is amongst one of the oldest in the world. The Archiginnasio (Greek for “first school”), was built in 1563 and was once the ancient seat of the University of Bologna, established as a school of Law and Arts. It houses one of the most incredible libraries in Italy, containing over one million pieces. Its anatomical theatre is by far the highlight, a place where corpses were dissected for the first scientific studies of the human body.

Climb to the top of the Asinelli Tower for great vistas over the city of Bologna below.

Symbols of the city and its most popular and notable landmarks, the two towers (Due Torri) are sat in the heart of the city. They were built during the Middle Ages as noble and wealthy families competed against each other for dominance over Bologna's politics, a competition that often become violent. There was once 180 towers, but these are the only two that remain. At 319 feet (97m), The Torre degli Asinelli is the tallest leaning medieval tower in the world and the only one open to the public. Ascend the 498 steps for a panoramic view of the city. 

Admire this monumental restored marble & bronze fountain in the heart of Piazza del Nettuno.

Commissioned by Pope Pius IV, the Fountain of Neptune is one of Bologna's most famous landmarks and a popular meeting point. He was originally destined for the larger Piazza Maggiore but instead, he sits proudly on the Piazza del Nettuno as a symbol of the city. Standing at almost thirteen feet (4m) high and weighing in at nearly 5000 lbs (2,200 kg), the fountain is hard to miss.  

Visit one of the oldest university buildings in the world and admire its incredible library.

Bologna's University is amongst one of the oldest in the world. The Archiginnasio (Greek for “first school”), was built in 1563 and was once the ancient seat of the University of Bologna, established as a school of Law and Arts. It houses one of the most incredible libraries in Italy, containing over one million pieces. Its anatomical theatre is by far the highlight, a place where corpses were dissected for the first scientific studies of the human body.

Painting as an Act of Love: Fra Angelico in the San Marco Friary

The crowds thin out slightly beyond the Galleria dell'Accademia, and not far beyond it rests the superlative frescos of Fra Angelico, in the Museum of San Marco.  Tender, but never saccharin, gentle, but never sentimental, his paintings grace the walls of this former friary and expose another side of the Renaissance. Fra Angelico's subjects are always treated respectfully, and the breadth of facial expressions is remarkable, if subtle. With a peaceful atmosphere, and a lesser amount of people, this museum might provide the most intimate experience you will find with Renaissance masterpieces in Florence. 

Painting as an Act of Love: Fra Angelico in the San Marco Friary

The crowds thin out slightly beyond the Galleria dell'Accademia, and not far beyond it rests the superlative frescos of Fra Angelico, in the Museum of San Marco.  Tender, but never saccharin, gentle, but never sentimental, his paintings grace the walls of this former friary and expose another side of the Renaissance. Fra Angelico's subjects are always treated respectfully, and the breadth of facial expressions is remarkable, if subtle. With a peaceful atmosphere, and a lesser amount of people, this museum might provide the most intimate experience you will find with Renaissance masterpieces in Florence. 

Painting as an Act of Love: Fra Angelico in the San Marco Friary

The crowds thin out slightly beyond the Galleria dell'Accademia, and not far beyond it rests the superlative frescos of Fra Angelico, in the Museum of San Marco.  Tender, but never saccharin, gentle, but never sentimental, his paintings grace the walls of this former friary and expose another side of the Renaissance. Fra Angelico's subjects are always treated respectfully, and the breadth of facial expressions is remarkable, if subtle. With a peaceful atmosphere, and a lesser amount of people, this museum might provide the most intimate experience you will find with Renaissance masterpieces in Florence. 

Painting as an Act of Love: Fra Angelico in the San Marco Friary

The crowds thin out slightly beyond the Galleria dell'Accademia, and not far beyond it rests the superlative frescos of Fra Angelico, in the Museum of San Marco.  Tender, but never saccharin, gentle, but never sentimental, his paintings grace the walls of this former friary and expose another side of the Renaissance. Fra Angelico's subjects are always treated respectfully, and the breadth of facial expressions is remarkable, if subtle. With a peaceful atmosphere, and a lesser amount of people, this museum might provide the most intimate experience you will find with Renaissance masterpieces in Florence.